New Horror Stories Published

It’s been a pretty great week in my writing life. Two publications have just come out with my stories in them! And just in time for National Zombie Appreciation Month, too (which I just learned is May).

The first one is First Time Dead Vol. 3, a zombie anthology specifically for new writers. This is the third edition of May December Publications’ series, and after reading some of the stories, I have to say I’m hooked. Perhaps a little unfairly, I thought that because the anthology was made entirely of people who hadn’t published zombie fiction before (or anything at all!), it might not be as good as other publications. I happily admit to being wrong! The stories are captivating, well-told, and unique, each displaying a different aspect of zombie literature. I highly recommend it.

My zombie story in that one is called “Anthem of the Damned.” So far this one is only available as an e-book, but it will soon be out in paperback as well. It’s a great read, and I’m offering an exclusive giveaway for readers of Pandora’s Pen to get themselves a free copy of First Time Dead Vol. 3! I’ll only be hosting this for a limited time, so hurry on over to my Freebies page to see how you can get your free copy.

The second publication of the week is Sam’s Dot’s quarterly horror magazine, Cover of Darkness. The March 2012 edition, which releases in May, includes my story, “The Viola d’Amore.” Right now that one is only out in paperback through the Sam’s Dot online store, which you can find linked on my Bibliography page.

You can see the awesome cover art for the magazine to the left here, and you can find a description of both “Anthem of the Damned” and “The Viola d’Amore” on my Bibliography page along with the links to where you can buy the anthologies.

The last bit of exciting news is brought to you by Damnation Books, the publisher of my novel, PANDORA. I’m excited to say that I’ve just received the cover art and couldn’t be more pleased with how creepy it is! Nothing is official yet, so I’m going to hold off on sharing it with all of you, but keep an eye on the Pen because it won’t be long before you get to see what PANDORA is going to look like on your bookshelf.

And that’s my exciting news for the week, folks. Glad I get to share it with you. Happy horror reading!

New Zombie Antho: “First Time Dead Vol. 3″

May December Publications is coming out with the third volume of their First Time Dead anthology series, which are dedicated solely to new and emerging horror writers, specifically of the zombie variety (writers of zombie stories, not zombie writers, that is). The third volume, which should come out soon, will include my one and only zombie story, “Anthem of the Damned.” This is the synopsis:

How does one go about handling a situation in which his roommate has gone insane and wants to eat him? They didn’t cover that during freshman orientation. Carter just wants to survive college, but a strange infection turning the students ravenous creates a bit of a detour on his way to intellectual enlightenment. Good thing his philosophy professor seems to have a keen sense of what’s going on—but to get to her he must wade through the hordes while also avoiding the contaminant causing the infection lest he, too, become one of the damned.

The anthology has some fantastic cover art as well. Check it out:

First Time Dead volumes 1 and 2 are available where book type things are sold. I’m sure volume 3 will also be a fun thrill-ride of the zombie apocalypse in all its bloody, grotesque glory. Links will be added to my Bibliography as soon as the book is available, so check back and snag yourself a copy when it comes out!

Book Review: “The Hunger Games”

I know, I know, I’m behind on this cultural phenomenon. By now everyone and their grandmother has read The Hunger Games by Suzanne Collins. See, I get a little turned off when something becomes an explosive, all-popular cultural phenomenon; I don’t know if it’s because I don’t like to buy into what everyone else is doing or because usually it’s something stupid like Twilight, but this time around I went ahead and gave in.

Good thing I did! The book is not a masterpiece of literature by any means, but it is a highly entertaining young adult book with dark themes and violence and the exploration of dystopia that adults can enjoy as well. I suspect books like these become big hits because many adults are too lazy/stupid/impatient to wade through something at an adult reading level, so they latch onto quick, easy reads with a fast pace and high entertainment factor.

In this case, there’s nothing wrong with that, since The Hunger Games is a good book. The writing style is geared towards young adult readers but is smooth and polished, with content that is meant for the high school level and above. It’s told in present tense, which amps up the tension and cements the reader in the current moment.

Our heroine, Katniss, makes me pleased that this book is as popular as it is. Katniss takes the damsel-in-distress trope and turns it on its head. She is fierce, independent, stubborn, great with a bow-and-arrow, and she ends up saving the male lead more than the other way around.

My middle name is Badass.

In case you’re living under a rock somewhere, the Hunger Games are a gladiator-style competition in a future dystopia where America has collapsed into a new country called Panem, comprising of a Capitol and 12 districts. After a failed uprising, the Capitol decided to put all of the districts in their place by creating a yearly battle royale between children ages 12-18, where 2 are chosen from each district (one male, one female) to fight to the death. The last one standing is the winner, and the competition is televised to the entire country, mainly for the entertainment of the shallow residents of the Capitol.

It’s gruesome. The children die in horrible ways, from getting speared to poisoned bee stings. Katniss finds herself thrown into the arena with Peeta, the boy from her district, who has a crush on her. They get through the tournament by playing up a half-fake romance (for the Capitol’s entertainment) and through the hunting skills that Katniss has developed over years of feeding her poor, starving family.

The reason the romance actually works in this book (as opposed to, I don’t know, Twilight?) is that it happens naturally and does not take over the plot. Peeta really does like Katniss, but Katniss herself struggles to pretend to be in love with him for the cameras all around them. She does grow fond of him, of course, but it is not some ridiculous love at first sight nonsense. She has a good head on her shoulders and is simply trying to survive the Games.

I’ve only read the first book, so I can’t say how this continues to play out in the sequel. Many people probably enjoy this book for the romance factor (blargh), but I appreciated the well-handled elements of horror and sci-fi along with the strong feminism that many current romance-driven books seem to lack. There is much more to Katniss than romance; in fact, she herself admits that romance is the least of her concerns right now, as it should be. She doesn’t want to get married, and she doesn’t want to bring children into the world only to have them potentially get pulled for the Hunger Games. I like this girl. This is a heroine I can get behind.

FINAL VERDICT

Storyline: 9 out of 10 poisoned bee stings

Characters: 8 out of 10 poisoned bee stings

Originality: 8 out of 10 poisoned bee stings

Writing Style: 7 out of 10 scrpoisoned bee stings

Scare Factor: 6.5 out of 10 poisoned bee stings

Overall: 8 out of 10 poisoned bee stings

Read The Hunger Games now!

Sequels I Can’t Wait to Read

Horror cinema is known for its inability to generate new ideas, and for its ability to latch onto big moneymakers and milk them to death, until no one wants to see one more Friday the 13th or Halloween or Saw made ever again. Horror books don’t fall into this trap as often, barring intentional series that authors create. Here are some upcoming horror titles I’m looking forward to (and you should be, too!)

1. Zombie, Illinois, sequel to Zombie, Ohio by Scott Kenemore

After I read the first one, Mr. Kenemore graciously replied to a message I sent him about how much I enjoyed his unusual zombie story (which I reviewed here), and kindly gave me two tidbits of information. The first tidbit was that he was working on a sequel. The second was that this sequel will take place in Illinois, my dear home state.

If you couldn’t already deduce this, the sequel will be called Zombie, Illinois. It will be about a zombie outbreak in Chicago and the outlying Chicagoland areas. Maybe he can make my hometown famous (aside from the brief car chase in The Blues Brothers), and have zombies invade the historic Pickwick theater in Park Ridge? In any case, I can’t wait to see how he continues his unusual take on zombies.

RELEASE DATE: TBD (book expected to be completed by March 31, 2012)

2. This Book Is Full of Spiders, sequel to John Dies at the End by David Wong

As soon as I finished reading Wong’s first novel (reviewed here), I immediately discovered two things that gave me great excitement: the first book was being made into a movie, and there was going to be a sequel.

Go read my review of it. John Dies at the End is absurd, gruesome, creative, clever, and hilarious. I can only imagine that a sequel called This Book Is Full of Spiders will be equally awesome. I assume that this sequel will continue the exploits of John and Dave, two dimension-hopping stoners, [SPOILER ALERT] one of whom is actually just a clone of his original self. [END SPOILER] If anything, I just want to see what other shenanigans these guys get up to.

RELEASE DATE: October 2, 2012

3. Dr. Sleep, sequel to The Shining by Stephen King

Wait. Hold on just a minute. Stephen King, the master of horror, who wrote the 1977 book that made everyone scared of hotels for decades to come, is writing a sequel? Yes. Yes, he is. Rejoice!

Dr. Sleep will follow a 40-year-old Danny Torrance living in upstate New York and working as an orderly at a hospice. He uses his psychic powers to help terminally ill patients pass away peacefully. Meanwhile, there are psychic vampires who, instead of sucking blood, feed off of psychic energy the likes of which Danny Torrance possesses.

This book is guaranteed to be a smash hit. There’s no question about that. The only question now is if that same creepy kid who played Danny in the Jack Nicholson movie might reprise his childhood role for Dr. Sleep (come on, you know that would be all kinds of awesome). Wonder if the little boy who lives in his mouth still talks in a croaky voice out of his finger. “Red ruuuuum...”

I haven’t been this excited for a King book since… well… ever?

RELEASE DATE: 2013

What sequels did I miss that you’re looking forward to reading? Name them below so the rest of us can salivate over the continued exploits of our favorite horror characters!

Creepy Nursery Rhymes

I didn’t get much into the nursery rhymes in my last post about Grimm fairy tales, but I’ve been researching them for my novella. Creepy nursery rhymes are almost worse than disturbing fairy tales. They have the same effect—a chilling desecration of innocence—but in a more compact package. What seals the deal is the bouncy, rhyming aspect of them. They sound nice and singsongy, but when you actually look at the lyrics, something sinister lurks beneath the surface.

“There Was an Old Lady Who Swallowed a Fly” seems innocent enough but brings to mind images of Renfield from Dracula and the horrors of some sort of insane eating disorder. Just imagine someone eating spiders!

That's some Fear Factor shit right there.

There was an old lady who swallowed a fly,
I don’t know why she swallowed a fly,
Perhaps she’ll die.

There was an old lady who swallowed a spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.

There was an old lady who swallowed a bird,
How absurd! to swallow a bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.

There was an old lady who swallowed a cat,
Imagine that! to swallow a cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.

There was an old lady who swallowed a dog,
What a hog! to swallow a dog,
She swallowed the dog to catch the cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.

There was an old lady who swallowed a goat,
Just opened her throat! to swallow a goat,
She swallowed the goat to catch the dog,
She swallowed the dog to catch the cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.

There was an old lady who swallowed a cow,
I don’t know how she swallowed a cow!
She swallowed the cow to catch the goat,
She swallowed the goat to catch the dog,
She swallowed the dog to catch the cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.

There was an old lady who swallowed a horse,
She’s dead—of course!

It’s kind of cute, especially the cumulative aspect of it, but something just nags at me. Maybe the way it keeps wondering if this woman is going to die, and then so nonchalantly tells us that, yes, all of her compulsive eating has led to her death.

Weirdness and death have a way of weaving their way into all sorts of folk rhymes, and since little poems with a perfect rhyme structure are automatically assumed to be for children, well… they end up being creepy children’s rhymes. How about this one? You probably heard it if you ever saw A Haunting in Connecticut.

One bright day in the middle of the night,
Two dead boys got up to fight.
Back to back they faced each other,
drew their swords and shot each other.
A deaf policeman heard the noise
and ran to save the two dead boys.
And if you don’t believe it’s true,
go ask the blind man, he saw it too.

Yeah, there’s all sorts of intended weirdness in that one. Disregarding the fact that the poem is about two dead boys, we’ve got paradoxes all over the place, turning the poem into a contradiction of itself. It’s an exercise in nonsense, and the confusion only adds to the creep factor.

Then you get poems written specifically to be creepy but also to be for children; therefore humor is mixed in with the creepiness. These would appear in grotesque little scary story books that weirdos like me loved reading as a kid. One of those is “The Hearse Song.”

Don’t you ever laugh as the hearse goes by,
For you may be the next to die.

They wrap you up in a big white sheet
From your head down to your feet.

They put you in a big black box
And cover you up with dirt and rocks.

All goes well for about a week,
Then your coffin begins to leak.

The worms crawl in, the worms crawl out,
The worms play pinochle on your snout.

They eat your eyes, they eat your nose,
They eat the jelly between your toes.

A big green worm with rolling eyes
Crawls in your stomach and out your eyes.

Your stomach turns a slimy green,
And pus pours out like whipping cream.

You spread it on a slice of bread,
And that’s what you eat when you are dead.

I’m not sure why anyone would have to be told not to laugh when they see a hearse… but anyway, this poem seems like it’s for kids. It’s got moments of wonderful morbid humor, like the worms playing pinochle and eating toe-jam. Ending the whole thing with smearing pus on bread and eating that when you’re dead is also kind of hilarious, in a sick twisted way. There’s a lot of nice gruesome imagery for little readers to enjoy that will probably make them opt for cremation.

Got any more creepy nursery rhymes you want to share? Post them below. I’d love to see some more good ones and explanations for why they creeped you out, either as a kid or as an adult.

Fairy Tales with a Grimm Twist

Horror TV is experiencing something of a renaissance with the firecracker popularity of American Horror Story and that other show Grimm. The latter sounded like it had a cool premise, perhaps something to replace the dying Supernatural, but after one episode I wan’t impressed enough to keep watching.

Still, the Grimm fairy tales fascinate me. Fairy tales are something we associate with innocence and childhood wonder, not grotesque visions of mutilation, cannibalism, and cruel magic. But that’s exactly what you find in a book of Grimm stories. Sure, most of them are still more or less tame and have happy endings, but you do get some really sick ones.

For instance, there’s one where the devil tricks a man into giving him whatever is behind him; the man, thinking it’s a tree, obliges, but it turns out his daughter is there. She ends up having to cut off her own hands to get out of the deal. Another spooky one has a physician whose godfather is death and who has the power to give and take life, until he tries to cheat death and his own candle is snuffed out.

But my favorite is called “The Juniper Tree.”

A man, with a boy from his previous wife, marries a woman with a daughter. But the stepmother hates the boy, so while he is leaning into a chest to get an apple, she slams down the lid and it chops off his head. Naturally, she doesn’t want to get caught, so she ties his head back on with a handkerchief and sits him on a chair by the door with an apple in his hand. Smooth, lady. No one’s going to notice that.

I can only imagine she was going for something like this.

The daughter comes up and asks him for the apple, but he doesn’t respond. Her twisted mother tells her to give him a box on the ear if he continues to ignore her. She does, and when his head rolls off, the girl thinks she killed her brother. Her mother comforts her and says they will make him into black puddings so that no one will know what the daugther did. So, letting the girl think she killed her brother, the mother proceeds to chop him into bits for dinner.

Father comes home and starts eating dinner with them. He says, “Ah, wife, how delicious this food is, give me some more.” If you’re not puking a little in your mouth already, he continues to eat the whole damn thing, throwing the bones under the table. The girl takes the bones outside and buries them by the juniper tree… where the dead boy turns into a bird, flies off, and sings a decidedly creepy little tune:

My mother she killed me,
My father he ate me,
My sister, little Marjory,
Gathered together all my bones,
Tied them in a silken handkerchief,
Laid them beneath the juniper tree,
Kywitt, kywitt, what a beautiful bird am I.

Seriously, dude? Who cares what a beautiful bird you are. Your father ATE you.

These aren’t exactly the type of stories you’re going to tell as you tuck your little ones into bed (unless your little ones are as twisted as I am), so who decided that fairy tales, which were originally gruesome morality fables, should be for children? When they turn dark, I think they’re even creepier because of the childish element of them.

Kind of like when you learned "Ring Around the Rosie" was really about the Black Plague. Keep dancing, children.

This happened with nursery rhymes too, which I think were invented to disturb the children who thought they were really about Jack and Jill going to get water and not King Louis XVI and Marie-Antoinette’s decapitation via guillotine. (“broke his crown” = had his head chopped off).

Queen “Bloody” Mary I shows up in a lot of nursery rhymes, like in the “Three Blind Mice” when she burned three men at the stake who were conspiring against her crazy ass. She’s also the Mary in “Mary, Mary, Quite Contrary.” Her “garden” (cemetery) grows with “silver bells and cockleshells” (instruments of torture) and “pretty maids all in a row” (The Maiden, aka, the guillotine). What a sweet little rhyme… about grisly torture and execution.

I’m not sure why we do this to our children, but it’s got to be better than inundating them with unrealistic Disney princesses. So come on, kids! Gather round while I tell you a nice little bedtime story about how to pickle the eyes of your evil stepmother…

Fiction al Dante

Dante’s Inferno is probably the most iconic exploration into the religions concept of Hell this side of… well… Hell. Even if you haven’t actually read it, you probably know something about the descent through the nine circles with Virgil leading the way through the increasingly horrific scenes of torture, or you’ve heard the ominous phrase:

“Abandon all hope, ye who enter here.”

This is why so many stories have payed homage to the King of Hell (yeah, he wrote about Heaven and Purgatory too, but those are less interesting). If you watch the movie 1408 carefully, you’ll see and hear subtle references to these circles of Hell, especially when he ends up frozen near the end, since Dante told us that, despite our belief that Hell is on fire, the innermost core is actually frozen solid.

Even I wrote a story with Dantean overtones, called “Lakeshore Drive,” which was supposed to be published in Arcane, but won’t be this go around… don’t worry, it’ll get published eventually so you can read it. Synopsis: During a snowstorm of apocalyptic proportions, Susannah is trapped in her car on a closed Lakeshore Drive. Unfortunately, the snow isn’t the only thing she has to worry about as her mind unravels, a terrible secret haunts her, and the city becomes a living nightmare…

Another who tackled the themes presented in Dante is the editor of Indiana Horror and Indiana Science Fiction, James Ward Kirk, in his story, “Ghosts in the Mirror” (Dark Gothic Resurrected Magazine), which follows protagonist Dan Teagarden (Dan Tea-garden. Dan Tea. Dante. Get it?). Dan’s family has been butchered, his wife’s eyeless body left in his house and his children missing but for the blood and clothing.

Determined to find the culprit, Dan constructs a list of people he thinks might have done it, all exhibiting some sin like pride or avarice. Then he and his friend Virgil venture into their homes, only to discover that their families have been killed too. Dan is horrified, but Virgil tells him that sinners do not deserve their tears.

The exploration into the sinners’ homes mimicks Dante’s descent into Hell, complete with guide Virgil to show him the way. I’m sure the missing children means something as well, but I’m drawing a blank; any Dante scholars have an answer?

Anyway, it’s a short but interesting story, written in a style that reminds me of Medieval writings while still remaining in the present time, so if you’re interested in stories that utilize the Dante mythology, you can put it on your list.

The Inferno is a fascinating and detailed look at Hell, and its ideas have long been snatched up to use as themes or allusions in other works of fiction. Any other stories or movies you know use Dante’s ideas? Post them below!

Book Review: “Escape from Furnace: Lockdown”

A little while back, I hosted a giveaway contest with a random drawing to win a free copy of Alexander Gordon Smith’s book Lockdown, the first in the Escape from Furance series. Along with sending the book to the winner, Macmillan Publishing also kindly sent me a review copy. It arrived on Thursday; I got back from work at 3:30, picked it up, read sporadically throughout the day, and finished by midnight. That should tell you something.

Lockdown is fast-paced thrill ride, and you can easily blaze through this book in no time. It is a not-so-paltry 273 pages, but I guarantee that you won’t want to put it down until you reach that last cliffhanger. It is definitely a young adult novel, but there is also a certain maturity ringing through the pages that will make it a good read for adults as well (and frankly, I wouldn’t recommend it to someone under 13, unless they’re utter creep-jobs like me).

We meet protagonist Alex in a future England that reminds me of Anthony Burgess’ A Clockwork Orange: violent gangs of youths run rampant, engaging in criminal activity and murder. Except here they don’t try to reform them; they just stick them in Furnace Prison, a real-life hell for young criminals that is as impenetrable as it is horrifying.

Alex has gotten into some seedy things, mainly robbing houses. I admit, when he stumbles into a setup, I was a little disillusioned by the ridiculousness of the bad guys who show up to frame him, but I quickly got over that as we see him chucked into the inescapable Furnace, which is in a miles-deep cave underground. That’s when it really starts to get good.

The prison is hot and claustrophobic, and it’s kill-or-be-killed as the rival gangs horde their territory. Each day they endure hard labor, such as chipping away at the rock walls to make more rooms, and the only respite is a short, freezing shower and the rotten gruel they eat for every meal. I could feel their hopelessness and resignation to a life where they never again see the sun in all the visceral details of the place.

But that’s not the worst part. There are creatures that come out at night to take you: wheezing men in gas masks and their rabid hellhounds. And it turns out the gas masks are actually sewn to their faces. Unfortunately, by the end of book one these men are still a mystery.

Of course, Alex won’t stand for all of this. He’s not the only innocent kid at Furnace, and he has decided to attempt the impossible: escape. But not before he nearly gets killed, experiences utter depression, and runs the risk of losing his best friends to the darkness.

My only qualm was with the Americanization of the book. We’re obviously in England, as they talk about British pounds and such, but they turn around and use “Mom” instead of “Mum.” It was like those first couple of Americanized Harry Potter books, before they wised up and stopped trying to cater to dumb Americans who don’t know what “Mum” means. But this is, of course, a minor issue that is easily forgotten.

There’s also a nice interview with Alexander Gordon Smith at the back of the book, and a preview of the next one, Solitary, which I plan to read as soon as I can get my hands on it.

FINAL VERDICT

Storyline: 9 out of 10 hellhounds

Characters: 8 out of 10 hellhounds

Originality: 10 out of 10 hellhounds

Writing Style: 6 out of 10 hellhounds

Scare Factor: 8 out of 10 hellhounds

Overall: 8 out of 10 hellhounds

Read Lockdown: Escape from Furnace 1 now!

Book Review: “Indiana Horror Anthology”

Indiana Horror Anthology edited by James Ward Kirk, the sister publication of Indiana Science Fiction (which I will have two stories in) debuted a few weeks back with haunting tales from Indiana writers. Not all of the included pieces caught my interest, but I’ll give a rundown on my favorites from each section.

POETRY

“Hotel Transylvania” by Roger Corwin was easily the standout of the bunch. The poem itself is set up almost like a brochure detailing the pleasures one might find at this hotel. Of course, these pleasures include free stakes and crosses, ghoul valet service (tipping with dead flesh encouraged), swimming in the moat, complimentary blood transfusions in case of bite, and full burial services including decapitation.

FLASH FICTION

“Total Worship” by Allen Griffin is short, creepy, and gruesome. The narrator maintains an old, ritualistic idea of religious worship… involving human sacrifice.

“Dark Reflection” by Eric Garrison has some excellently creepy descriptions about the otherworldliness of mirrors.

“The Space Between Breaths” by Josh Wolf is about a man who has a sixth sense of sorts: he can see two different versions of people, one being that person’s ideal self image, and the other being their “real” self known only to their subconscious. When he meets a girl whose two selves are both the same, he becomes intrigued, especially when it turns out she has an interesting ability as well, which blurs the line of dream and reality.

SHORT STORIES

“The Dark Attraction” by Matt Cowan tells of a family on an innocent vacation to an amusement park. As with any park, there is a haunted house ride, which the older brother dares to try by himself. Turns out the ride’s just a little too real.

“The Dead Girls” by A.J. French may be my favorite in the anthology. It’s about a lake haunted by twin girls who have a dark and disturbing past, created partly by imagination becoming reality. Chris goes fishing out on the lake after his father’s death and sees them come to the surface, their faces “covered in sores and open wounds, places where the fish have eaten away the flesh. Blank staring eyes: tangles of blond hair waving like an undersea plant; a smile, teeth, tongue, a grin” (87). The writing here is fresh and interesting, and the story carries emotional and mythical depth.

“Ballet of the Dolls” by James S. Dorr is fun because of its unique concept. There’s a circus show involving bird-like doll puppets that dance to music, but their movements are oddly lifelike. There is a reason for this, Jason learns: an awful one.

“Bumper Music” by Murphy Edwards follows a hit-and-run assasin who takes pleasure in the business of murder and experiences a bit of karma while on a particularly difficult job.

“Shade in the Shadow” by Cory Hall is about a boy, now a man, whose grandfather had a patch of land where, if your shadow fell over it, anything buried there would come back as a ghost. Cassidy is back there now to find where his brother is buried and cast his shadow over the grave. Of course, bringing back the dead never ends well.

There’s plenty to read in this anthology, which has a total of 11 poems, 10 pieces of flash fiction, and 14 short stories. The fiction is really where it’s at, since horror poetry always seems to ignore the subtleties of good poetry and instead just stick fun horror ideas into cheap verse, but I digress. This is a small-press underground collection of Indy (and indie) horror that gets a passing grade from me.

FINAL VERDICT

Originality: 7 out of 10 creepy dancing dolls

Writing Style: 4 out of 10 creepy dancing dolls

Scare Factor: 6 out of 10 creepy dancing dolls

Overall: 5.5 out of 10 creepy dancing dolls

Check it out at Amazon.com or Barnes and Noble.com. Also stay tuned for the release of Indiana Science Fiction where you can read stories by yours truly.

Read Indiana Horror Anthology 2011 now!

Read Indiana Science Fiction Anthology 2011 now!

Giveaway Contest: Escape from Furnace

A new teen horror series is being released by Macmillan Publishing, and I have the pleasure of hosting a FREE GIVEAWAY for the first book in the series to the winning  contest entrant!

The series is called “Escape from Furnace” by Alexander Gordon Smith, and the first book, which will be shipped to the contest winner, is called Lockdown.

What it’s about: Beneath Heaven is Hell…. Beneath Hell is Furnace! Furnace Penitentiary: the world’s most secure prison for young offenders, buried a mile beneath the earth’s surface. Convicted of a murder he didn’t commit, sentenced to life without parole, “new fish” Alex Sawyer knows he has two choices: find a way out, or resign himself to a death behind bars, in the darkness at the bottom of the world.

There are five books in the series that will be made available in 2012: Lockdown, Solitary, Death Sentence, Fugitives, and Execution.

Watch the trailer here:

Also keep an eye out for a future review of Lockdown by yours truly: I’m looking forward to reading the book and giving you all the inside scoop!

Want to win a free book? Here’s what you have to do:

Fill out the following entry form by SEPTEMBER 1. That is when I will close the contest and randomly draw a winner.*

CONTEST NOW CLOSED

*Any information given in your entry form, including name, e-mail, or address will be used for the sole purpose of sending the prize to the contest winner; it will not be given out to any third party aside from Macmillan Publishing and will be deleted immediately after the contest has ended.

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