I didn’t get much into the nursery rhymes in my last post about Grimm fairy tales, but I’ve been researching them for my novella. Creepy nursery rhymes are almost worse than disturbing fairy tales. They have the same effect—a chilling desecration of innocence—but in a more compact package. What seals the deal is the bouncy, rhyming aspect of them. They sound nice and singsongy, but when you actually look at the lyrics, something sinister lurks beneath the surface.
“There Was an Old Lady Who Swallowed a Fly” seems innocent enough but brings to mind images of Renfield from Dracula and the horrors of some sort of insane eating disorder. Just imagine someone eating spiders!

That's some Fear Factor shit right there.
There was an old lady who swallowed a fly,
I don’t know why she swallowed a fly,
Perhaps she’ll die.
There was an old lady who swallowed a spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.
There was an old lady who swallowed a bird,
How absurd! to swallow a bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.
There was an old lady who swallowed a cat,
Imagine that! to swallow a cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.
There was an old lady who swallowed a dog,
What a hog! to swallow a dog,
She swallowed the dog to catch the cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.
There was an old lady who swallowed a goat,
Just opened her throat! to swallow a goat,
She swallowed the goat to catch the dog,
She swallowed the dog to catch the cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.
There was an old lady who swallowed a cow,
I don’t know how she swallowed a cow!
She swallowed the cow to catch the goat,
She swallowed the goat to catch the dog,
She swallowed the dog to catch the cat,
She swallowed the cat to catch the bird,
She swallowed the bird to catch the spider,
That wriggled and jiggled and tickled inside her,
She swallowed the spider to catch the fly,
I don’t know why she swallowed the fly,
Perhaps she’ll die.
There was an old lady who swallowed a horse,
She’s dead—of course!
It’s kind of cute, especially the cumulative aspect of it, but something just nags at me. Maybe the way it keeps wondering if this woman is going to die, and then so nonchalantly tells us that, yes, all of her compulsive eating has led to her death.
Weirdness and death have a way of weaving their way into all sorts of folk rhymes, and since little poems with a perfect rhyme structure are automatically assumed to be for children, well… they end up being creepy children’s rhymes. How about this one? You probably heard it if you ever saw A Haunting in Connecticut.
One bright day in the middle of the night,
Two dead boys got up to fight.
Back to back they faced each other,
drew their swords and shot each other.
A deaf policeman heard the noise
and ran to save the two dead boys.
And if you don’t believe it’s true,
go ask the blind man, he saw it too.
Yeah, there’s all sorts of intended weirdness in that one. Disregarding the fact that the poem is about two dead boys, we’ve got paradoxes all over the place, turning the poem into a contradiction of itself. It’s an exercise in nonsense, and the confusion only adds to the creep factor.
Then you get poems written specifically to be creepy but also to be for children; therefore humor is mixed in with the creepiness. These would appear in grotesque little scary story books that weirdos like me loved reading as a kid. One of those is “The Hearse Song.”
Don’t you ever laugh as the hearse goes by,
For you may be the next to die.
They wrap you up in a big white sheet
From your head down to your feet.
They put you in a big black box
And cover you up with dirt and rocks.
All goes well for about a week,
Then your coffin begins to leak.
The worms crawl in, the worms crawl out,
The worms play pinochle on your snout.
They eat your eyes, they eat your nose,
They eat the jelly between your toes.
A big green worm with rolling eyes
Crawls in your stomach and out your eyes.
Your stomach turns a slimy green,
And pus pours out like whipping cream.
You spread it on a slice of bread,
And that’s what you eat when you are dead.
I’m not sure why anyon
e would have to be told not to laugh when they see a hearse… but anyway, this poem seems like it’s for kids. It’s got moments of wonderful morbid humor, like the worms playing pinochle and eating toe-jam. Ending the whole thing with smearing pus on bread and eating that when you’re dead is also kind of hilarious, in a sick twisted way. There’s a lot of nice gruesome imagery for little readers to enjoy that will probably make them opt for cremation.
Got any more creepy nursery rhymes you want to share? Post them below. I’d love to see some more good ones and explanations for why they creeped you out, either as a kid or as an adult.